Dance of Death | ||||
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Studio album by Iron Maiden | ||||
Released | 2 September 2003 (Japan) 8 September 2003 (worldwide) 9 September 2003 (North America) |
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Recorded | January – February 2003 Sarm West Studios (London, UK) |
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Genre | Heavy metal | |||
Length | 1:07:59 | |||
Language | English | |||
Label | EMI | |||
Producer | Steve Harris, Kevin Shirley | |||
Iron Maiden chronology | ||||
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Singles from Dance of Death | ||||
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Dance of Death is the thirteenth studio album by British heavy metal band Iron Maiden, released first in Japan on 2 September and then on 8 September 2003 in the rest of the world excluding North America (where it was released a day later).
Contents |
The band first confirmed that they would be working on a follow-up to 2000's Brave New World with producer Kevin Shirley on 27 November 2002, announced alongside a small set of European tour dates for the following year.[1] On 6 January 2003, Shirley confirmed via his website that the band would begin recording that month,[2] followed by the announcement that the basic tracks had been completed on 5 February[3] and that the release was to be mixed in April.[4] On 31 May, the band announced that the album, recorded at Sarm West Studios, would be entitled Dance of Death,[5] after which the release date was issued on 17 June.[6]
The Dance of Death World Tour was the tour supporting the album, which included many theatrical elements inspired by the record's songs. During "Dance of Death," Bruce Dickinson would wear theatrical masks and a cape while moving around the stage; at the end he would dress as the Grim Reaper for the final chorus.[7] During "Paschendale", Dickinson would wear a traditional British Infantryman tench coat and helmet (although he revealed in the Death on the Road documentary that it was actually Hungarian),[8] as worn during World War I, and the set would be decorated with barbed wire.[7] The tour led to a live album and DVD, entitled Death on the Road released in 2005 and 2006.
The computer-generated cover art was provided by David Patchett,[9] who allegedly asked for his name to be removed from the album's credits after the band decided to use an uncompleted version,[10] which was received negatively.[11]
According to guitarist Janick Gers, the album's title track was inspired by the final scene of Ingmar Bergman's The Seventh Seal, at the end of which "these figures on the horizon start doing a little jig, which is the dance of death."[12] Gers wrote most of the music and explained the concept to Steve Harris, who wrote the lyrics and most of the melodies.[13]
Dance of Death is the only Iron Maiden album to date in which drummer Nicko McBrain has a songwriting credit, having co-written "New Frontier."[13] As a born-again Christian, the track expresses his concerns with human cloning, stating, "I personally believe that God created man and it's only God's right to create a human being because only He can give you a soul. When man attempts to make man then it's a monster in a test tube."[13]
"Montségur" was based on the fall of the Cathar stronghold of the same name, which fell during the Albigensian Crusade in 1244.[12] Bruce Dickinson, who wrote the song's lyrics, states, "There is so much great stuff and so many great stories throughout history that you can make parallels with the modern day - particularly when history repeats itself as often as it does - that it makes for some very colourful subject matter.[12]
"Paschendale," about the Battle of Passchendaele which took place during First World War, was written by Adrian Smith, who usually contributes to the band's shorter, more "commercial" songs, but decided to write what he describes as "a traditional Maiden epic."[14] It features strong progressive rock elements, including its length, odd time signatures, detailed structure, and multiple tempo and time signature changes throughout the song. Dickinson comments, "the beauty of 'Paschendale' isn't in the epic-ness of the song - although you have to admit it is a powerful and stirring body of music - but the detail."[14]
"Face in the Sand" is based on the media coverage surrounding the Iraq War, taking place as the album was being recorded.[15] Dickinson explains, "I remember thinking about the desert sands as an image and how it moves and shifts with time. Specifically what I was thinking was that whatever empires you tend to build - whether they are British, American, Iraqi or whatever, they'll all crumble and fade away into something else. So, to my mind at least, the best thing you can hope for, if you were to leave anything behind, is just an imprint in the sand."[15] The song is notable for being the first and only Iron Maiden track in which Nicko McBrain uses a double bass pedal.[14]
The final track, "Journeyman", is Iron Maiden's first and only fully acoustic song. According to Bruce Dickinson on the Death on the Road live album, it is about "the whole process of writing and being a musician,"[16] although Mick Wall describes it as "a wistful tale of carpe diem.[15] The song was originally recorded with electric instruments, however, as Dickinson states, "after all the battering that we've given the listener over the last hour of music it just seemed right to play out with something totally unexpected and left field."[15] The original version appears on the No More Lies EP.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [17] |
Kerrang! | [18] |
PopMatters | (favourable)[19] |
Sputnikmusic | [11] |
Reviews for the album were generally positive with Kerrang! describing it as "stupendous stuff and concrete proof that Maiden are as electrifying and important as they have been in a long time."[18] Sputnikmusic were also positive about the album, giving special mention to "Paschendale", described as "quite easily the ultimate Maiden masterpiece."[11] Although describing the first three songs as "refreshing yet unremarkable", Allmusic describes Dance of Death as "a triumphant return to form for these heavy metal legends."[17]
Although criticising the album for its length and for not "matching the quality" of its predecessor, 2000s Brave New World, PopMatters praises the band for being able to "still easily outclass most of the younger nu-metal bands today."[19]
No. | Title | Writer(s) | Length |
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1. | "Wildest Dreams" | Steve Harris, Adrian Smith | 3:52 |
2. | "Rainmaker" | Bruce Dickinson, Harris, Dave Murray | 3:48 |
3. | "No More Lies" | Steve Harris | 7:22 |
4. | "Montségur" | Dickinson, Janick Gers, Harris | 5:50 |
5. | "Dance of Death" | Gers, Harris | 8:36 |
6. | "Gates of Tomorrow" | Dickinson, Gers, Harris | 5:12 |
7. | "New Frontier" | Dickinson, Nicko McBrain, Smith | 5:04 |
8. | "Paschendale" | Harris, Smith | 8:28 |
9. | "Face in the Sand" | Dickinson, Harris, Smith | 6:31 |
10. | "Age of Innocence" | Harris, Murray | 6:10 |
11. | "Journeyman" | Dickinson, Harris, Smith | 7:07 |
Total length:
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1:07:59 |
Charts |
Certifications
|
Single | Chart (2003) | Peak position |
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"Wildest Dreams" | Austrian Singles Chart | 65[37] |
Canadian Singles Chart | 26[38] | |
Dutch Singles Chart | 45[39] | |
Finnish Singles Chart | 1[22] | |
French Singles Chart | 57[40] | |
German Singles Chart | 27[41] | |
Irish Singles Chart | 19[42] | |
Italian Singles Chart | 4[43] | |
Norwegian Singles Chart | 5[25] | |
Swedish Singles Chart | 4[26] | |
Swiss Singles Chart | 68[27] | |
UK Singles Chart | 6[44] | |
"Rainmaker" | Finnish Singles Chart | 3[22] |
French Singles Chart | 71[40] | |
German Singles Chart | 36[41] | |
Italian Singles Chart | 13[43] | |
Swedish Singles Chart | 35[26] | |
UK Singles Chart | 13[44] | |
Single | Chart (2004) | Peak position |
"Rainmaker" | Canadian Singles Chart | 7[38] |
Dutch Singles Chart | 98[39] | |
Swiss Singles Chart | 94[27] | |
"No More Lies (EP)" | Canadian Singles Chart | 8[38] |
Finnish Singles Chart | 3[22] | |
French Singles Chart | 70[40] | |
German Singles Chart | 36[41] | |
Irish Singles Chart | 25[42] | |
Italian Singles Chart | 10[43] | |
Swiss Singles Chart | 93[27] |